A review of Richard Brookhiser's article "All Junk, All the Time" criticizing the boyband phenomenon.

Yates Phillips Writing 1320 Dr. Wu April 23, 2001 All Money, All the Time In Richard Brookhisers phrase All Junk, All the Time, Brookhiser explores ele ments of pit music which provide never change because as he states it is so aristocratic to do well enough (Brookhiser 607). He occupys that popular gloss rock music, or pop, is inferior to the musical theater stylings of classical, jazz, and testify tunes. Contrary to these superior forms of music, rock music requires no talent, it uses insistent lyrics to play to listeners with inferior intellect, and above all there is docile money to be made. Brookhisers viewpoint may count triumphant or altruistic, but in reality his education is fact. This shell of satirical commentary has existed for generations and will for many more. His claim that sound is easy and can be faked mirrors Voltairian commentary of coherent past. He argues that the guitar is not a refined instrument and in validate offers that this instrum ent does not require years of preparedness and is not used as curriculum in university musical studies. earthy instruments beget unrefined music, which begets unrefined dancing. This idea elicits sighs of relief from men around the world. After all, who has time to take dance lessons? muffin lovers can do well enough by gyrating in place, bumping and grinding. Come dance, its easy! Perhaps Transcontinental Records CEO, Lou Pearlman, accentuates the most gross criminal offense of the pop music industry. According to Jim Slotek of the Toronto sunshine Pearlman is, in short, the make fun who created The Backstreet Boys and Nsync in a blimp hanger in Orlando, Fla., and watched his bright ideas riposte more than $2 trillion in sales (Slotek 1). Since his inception of the two most profitable cookie cutter boybands Pearlmans boyband manufactory has, in concert with... If you deprivation to get a beneficial essay, order it on our webs ite: Be! stEssayCheap.com

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